Lonely Girl

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15 June 2009

Mix Act BPM Key Duration
Lonely Girl (Original Mix) OceanLab 134 G minor 5:32
Lonely Girl (Gareth Emery Remix) OceanLab 134 G minor 7:48
Lonely Girl (Ronski Speed Remix) OceanLab 134 G minor 9:20

Click here for the other remixes.
The final SOTS single is no deviation from the angelic deviation.

Lonely Girl (Original Mix)

The most electronic song from the seraph's hymnbook is an antimony pentafluoride fountain; a brazen bull[1] of triturating umbriferous profluence that spares no nanosecond of epiphany. The sole SOTS song with an intro & outro, the electricness is hyperabundant in every sense. At one point in this Sillas, a one-time melodic descent plummets & crashes through your heart. Fluvial ascension also exospheres this wonderpiece.
The climax transliterates the orgasm. Bridges in climaxes are a nectareous idea.

Lonely Girl (Music Video)

A 2009 video with a dark room & a Weinstein behind the scenes turned out well. The supremacy of the sound clashes with the video that you or I could have made. In it, a polaroid addict gets back with her ex-lover, misverting the whole song, even as the song keeps imploring him/her to return, when he did. Another perfunctory video, made for money, & not to tell a story.

Lonely Girl (Gareth Emery Remix)

This farraginous mix is easy to get lost in: a synth appears unexpectedly. Unpredictability is the sole virtue of this unnecessary mix, though.
This ear candy is just as unhealthy & ineluctibly bland as real candy.

Lonely Girl (Ronski Speed Remix)

This mix uses the ultravirtuous approach to structure: some nice electrotrash, then a seraphic tune, then ultralethal electrotrash, then a tuneful climax. In this case, the tune is extraneous to the OM. It defines flection, from the ultraspinning soundtrack to Icke's incubi, to the tanin-laced piano, to the Tsar Bombas Ronald unleashed without restraint. A suitable remix for a song of this calibre.